Project Profile:
Hoover High School's "Mobile Storyteller" Hits the Road With Blackmagic Design
Hoover High School's
The video journalism program at Hoover High School in North Canton, OH, recently expanded to include a mobile production truck, called the Mobile Storyteller, as a way to further student engagement with the community. The Mobile Storyteller provides high impact, career based education for students as they work on various client projects, preserve the arts in the community, build cultural awareness through journalistic storytelling, and provide onsite training for students and teachers in other video journalism programs. Read More

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Action Cams
Action Cams
No doubt there were a lot of so called "Action Cams" in Chrissy stockings this year or under the tree. These are bound to be one of the hottest items around, as they do a far better job than the humble smartphone for taking video of such pastimes as skateboarding, skiing, mountain bike riding, surfing, fishing or any of a few hundred other fun things. But while in general action cams are easy to use, to get the very best footage - like the really good stuff you see on YouTube, Facebook and Vimeo etc - there are some things you can do to improve your shooting out of sight! Read More
Quick Peek:
Resolve 12.5
Resolve 12.5
Over the years, I have used many, many different video editors - Adobe Premiere 4.2 was probably my first NLE, followed by a long stint with Sony (now MAGIX) Vegas and flutters with AVID, EDIUS, one called Speed Razor and of course I have reviewed just about every package our there over the last 20 odd years costing from hundreds to many thousands of dollars. So, when I am told that a full on, top featured package as used by the Hollywood heavyweights is available for free, of course my ears prick up just a little and I want to know more. Is it so complex that I won't be able to grasp its workflow? Or does it require so much computer horsepower my modest Dell XPS 2710 all-in-one won't drive it? Perhaps the claims are overblown? Read More
Personal Profile:
Templestone Productions Shoots Candlelit Concerts for Music Documentary with Micro Studio Camera 4K
Templestone Productions Shoots Candlelit Concerts for Music Documentary with Micro Studio Camera 4K
At Dallas based Templestone Productions, Brad Ballew's main goal is to help his clients tell their story. He recently had the opportunity to shoot a unique concert series for a music documentary featuring the Irish choral group Anúna. The group sings a cappella arrangements of traditional and ancient texts from around the world. To keep the quality of his shooting high but his travel kit light, Brad purchased Blackmagic Design's Micro Studio Camera 4K. Read More
Project Profile:
Pocket Cinema Camera and DaVinci Resolve Used on Panic At The Disco's "Don't Threaten Me With a Good Time" Music Video
Pocket Cinema Camera and DaVinci Resolve Used on Panic At The Disco's
Panic at the Disco is on top of the music world with a massive worldwide tour supporting their album, "Death of a Bachelor," that debuted at number one on the Billboard charts. One of the most popular songs on the album is "Don't Threaten Me With a Good Time." The song's music video puts the band's lead singer, Brendon Urie, in some very uncomfortable situations after a night of drinking and dancing. Uncomfortable as in an "aliens/monsters are trying to eat me" type of situation. But what makes the video unique is that it is shot from the viewpoint of the attacking beast. Initially taking on the form of a human female, the video follows both Brendon and his attacker as they meet in a bar and dance through the night, .until the evening ends badly for Mr. Urie. Read More
Feature:
A Look "Behind-the-Scenes" of Immersive VR
A Look
With 2016 being its breakout year, 360° VR productions are everywhere. And VR headsets - like Samsung GearVR, Google Cardboard, or Oculus Rift - are making it a quality, immersive experience. But what's going on "behind-the-scenes"? ASSIMILATE is at the forefront of supporting VR with its new SCRATCH VR Suite that includes all the post tools - conform, color grading, compositing, and finishing - to work in 360° media, and includes SCRATCH Play for playback and SCRATCH Web cloud-based collaboration and review tools that are automatically formatted for 360° viewing in VR headsets. Getting out in the field with customers, Lucas Wilson and Jeff Edson, CEO at ASSIMILATE talked with us about how they are responding to the VR market with its SCRATCH product line to offer creators the streamlined professional and powerful production and post-production tools that are needed to enhance and finalize the look-and-feel of VR content. Read More

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